Stories We Tell: Race, Hermeneutics, and Public Memory Formation in ‘Get Out’

        Jordan Peele’s Get Out (2017) is like jumping in a pool fin the first days of the summer: there’s nothing particularly new to the feeling, yet it still feels… fresh. There’s a feeling of unfamiliarity, of peculiarity, of curiosity. There’s something keeping the viewer from being fully comfortable. Perhaps it’s knowing … Continue reading Stories We Tell: Race, Hermeneutics, and Public Memory Formation in ‘Get Out’